First we'll start with JC Chandor's latest All is Lost featuring Robert Redford. I liked Margin Call, and the reviews for this one are pretty good, especially for Redford who is already garnering early Oscar buzz for his performance.
Justin Chang from Variety writes:
Peter DeBruge from Variety was not impressed:
"The wallpaper emotes more than Ryan Gosling does in “Only God Forgives,” an exercise in supreme style and minimal substance from “Drive” director Nicolas Winding Refn. In retrospect, the controlled catatonia of Gosling’s previous perfs is nothing compared to the balled fist he plays here, a cipher easily upstaged by Kristin Scott Thomas’ lip-smacking turn as a vindictive she-wolf who travels to Bangkok seeking atonement for the death of her favorite son. As hyper-aggressive revenge fantasies go, it’s curious to see one so devoid of feeling, a veniality even “Drive” fans likely won’t be inclined to forgive."
David Rooney at The Hollywood Reporter says that fans of Refn's will enjoy the film:
"If Drive was a chill muscle-car cruise through the pulpy noir territory of late 1960s and ‘70s getaway movies, bathed in cool blue neon, Nicolas Winding Refn’s follow-up, Only God Forgives, is a hypnotic fugue on themes of violence and retribution, drenched in corrosive reds. The skeletal narrative mixes martial arts action with sexually loaded mother-son conflict that makes superficial nods to Shakespeare and Greek tragedy. Even more than the Danish director’s previous film, this one has way more style than subtext, not that it’s likely to diminish its cultish allure for avid genre fans."