Outstanding Play
Purpose, by Branden Jacobs-Jenkins
Outstanding Musical
Maybe Happy Ending
Outstanding Revival of a Play
Eureka Day
Outstanding Revival of a Musical
Gypsy
Outstanding Lead Performance in a Play
Laura Donnelly, The Hills of California AND Sarah Snook, The Picture of Dorian Gray
Outstanding Lead Performance in a Musical
(TIE) Audra McDonald, Gypsy and Jasmine Amy Rogers, BOOP! The Musical
Outstanding Featured Performance in a Play
(TIE) Amalia Yoo, John Proctor is the Villain AND Kara Young, Purpose
Outstanding Featured Performance in a Musical
(TIE) Brooks Ashmanskas, Smash, Jak Malone, Operation Mincemeat, AND Michael Urie, Once Upon a Mattress
Outstanding Solo Performance
Andrew Scott, Vanya
Outstanding Direction of a Play
Danya Taymor, John Proctor is the Villain
Outstanding Direction of a Musical
Michael Arden, Maybe Happy Ending
Outstanding Choreography
Jerry Mitchell, BOOP! The Musical
Outstanding Music
Will Aronson and Hue Park, Maybe Happy Ending
Outstanding Lyrics
Will Aronson and Hue Park, Maybe Happy Ending
Outstanding Book of a Musical
Will Aronson and Hue Park, Maybe Happy Ending
Outstanding Orchestrations
Andrew Resnick and Michael Thurber, Just in Time
Outstanding Scenic Design of a Play
Miriam Buether, and Jamie Harrison and Chris Fisher (illusions and visual effects), Stranger Things: The First Shadow
Outstanding Scenic Design of a Musical
Dane Laffrey and George Reeve, Maybe Happy Ending (includes video design)
Outstanding Costume Design of a Play
Dede Ayite, Our Town
Outstanding Costume Design of a Musical
Gregg Barnes, BOOP! The Musical
Outstanding Lighting Design of a Play
Jon Clark, Stranger Things: The First Shadow
Outstanding Lighting Design of a Musical
Jack Knowles, Sunset Blvd.
Outstanding Sound Design of a Play
Paul Arditti, Stranger Things: The First Shadow
Outstanding Sound Design of a Musical
Peter Hylenski, Just in Time
Outstanding Projection and Video Design
David Bergman, The Picture of Dorian Gray
Outstanding Wig and Hair
Charles G. LaPointe, Death Becomes Her
Outstanding Puppetry
Amanda Villalobos, Becoming Eve
Outstanding Fight Choreography
Rick Sordelet and Christian Kelly-Sordelet, Pirates! The Penzance Musical
Outstanding Adaptation
Pirates! The Penzance Musical, by Rupert Holmes
Outstanding Revue
Forbidden Broadway: Merrily We Stole a Song
Unique Theatrical Experience
The Picture of Dorian Gray
Ensemble Award
The ensemble of Roundabout Theatre Company's Liberation (Betsy Aidem, Audrey Corsa, Kayla Davion, Susannah Flood, Kristolyn Lloyd, Irene Sofia Lucio, Charlie Thurston, and Adina Verson) for bringing to vibrant life the specific and universal stories of women staring across the social battle lines of the 1970s from their perch "somewhere in Ohio" in Bess Wohl's beautiful new play.
Sam Norkin Off-Broadway Award
The incredibly versatile Stephen Michael Spencer for his electric and empathetic performances in two of this season’s strongest new Off-Broadway musicals. In Medea: Re-Versed, Spencer’s funny yet revelatory take on a character we all thought we knew allowed us the rare opportunity to actually understand Jason’s motivations. And then in Music City, Spencer was almost unrecognizable as TJ, a charismatic singer-songwriter who we couldn’t help but root for.
Additional Special Awards
Pregones/PRTT: Pregones (founded in 1979) and the Puerto Rican Traveling Theater (founded in 1967) merged in 2014 to become a powerhouse producer of Latinx shows on two NYC stages: one in Manhattan's Theater District, the other in the South Bronx, both evoking an atmosphere of warmth and inclusivity. This season brought the blazing world premiere of Matthew Barbot’s the beautiful land i seek (la linda tierra que busco yo), a history-inspired fantasia about two Puerto Rican freedom fighters that deftly explores colonialism while riffing on Waiting for Godot, plus dozens of one-offs showcasing Latinx artists and culture.
Lighting designer Stacey Derosier for her deeply intimate and consistently gorgeous work across this season’s Off-Broadway stages. Whether lighting the minimalist theatricality of The Welkin and Grangeville, or the rich naturalism of The Counter and Danger and Opportunity, Derosier shows us not only that less is often so much more, but also that just a single light can have such a profound impact in the darkness.
The team behind Danger and Opportunity – playwright Ken Urban, director Jack Serio, and ensemble Juan Castano, Julia Chan, and Ryan Spahn – for their genuinely serious, deeply moving consideration of the messy implications of a three-way relationship, done in an imaginatively immersive way that made such a small-scale story feel like a meaningful event.
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