Monday, February 7, 2011

Grammy Predictions: Country

Best Country Album
Will Win: Lady Antebellum "Need You Now"
Should Win: LA or Miranda Lambert "Revolution"
Commentary: While Lambert has won plenty of industry awards this year, I feel that the Album/Song/Record nominations will be enough to put the already Grammy Award winners Lady Antebellum on top.

Best Country Song
Will Win/Should Win: Lady Antebellum "Need You Now"
Commentary: Need You Know was a huge crossover hit, and should sweep the Country categories.

Best Female Country Vocal Performance
Will Win/Should Win: Miranda Lambert "The House that Built Me"
Commentary: While the top categories of Song and Album may be tough to decifer, there is no doubt that Miranda Lamberts incredible year will win here at least one Grammy.

Best Male Country Vocal Performance
Will Win: Keith Urban "Til Summer Comes Around"
Should Win: Jamey Johnson "Macon"
Commentary: While I preferred Jamey Johnsons hit here, I think that previous winner Keith Urban will have very little trouble taking home another trophy for his collection.

Best Country Performance By a Duo/Group w/Vocals
Will Win/Should Win: Lady Antebellum "Need You Now"
Commentary: Like I said, sweep.

Best Country Collaboration w/Vocals
Will Win/Should Win: Dierks Bentley, Miranda Lambert & Jamey Johnson, "Bad Angel"
Commentary: Star power aside, this was a great tune, and a nice way to kill three birds with one stone.

Sunday, February 6, 2011

Annie Awards

No Surprises here considering that Pixar has stopped submitting and campaigning for the Annies at all. I'm still shocked they managed nominations. So How to Train Your Dragon is still a contender for the Best Animated Feature Prize, but since TS3 got a Best Picture nod, and a screenplay nod, and five overall, compared to Dragon's two, I think that it is safe to say that it will take home the gold.

Best Animated Feature - How to Train Your Dragon – DreamWorks Animation
Best Animated Short Subject - Day & Night – Pixar

INDIVIDUAL ACHIEVEMENT CATEGORIES

Directing in a Feature Production - Chris Sanders, Dean DeBlois “How To Train Your Dragon” DreamWorks Animation
Writing in a Feature Production - William Davies, Dean DeBlois, Chris Sanders ”How to Train Your Dragon”– DreamWorks Animation
Music in a Feature Production - John Powell “How To Train Your Dragon” – DreamWorks Animation
Production Design in a Feature Production - Pierre Olivier Vincent “How To Train Your Dragon” – DreamWorks Animation
Storyboarding in a Feature Production - Tom Owens “How To Train Your Dragon” – DreamWorks Animation
Animated Effects in an Animated Production - Brett Miller “How To Train Your Dragon” – DreamWorks Animation
Voice Acting in a Feature Production - Jay Baruchel as Hiccup “How To Train Your Dragon” – DreamWorks Animation
Character Animation in a Feature Production - Gabe Hordos “How To Train Your Dragon” – DreamWorks Animation
Character Design in a Feature Production - Nico Marlet “How To Train Your Dragon” – DreamWorks Animation
Character Animation in a Live Action Production - Ryan Page – Alice in Wonderland – Sony Pictures
Character Animation in a Television Production - David Pate “Kung Fu Panda Holiday” – DreamWorks Animation
Character Design in a Television Production - Gordon Hammond “T.U.F.F. Puppy” – Nickelodeon
Directing in a Television Production - Tim Johnson “Kung Fu Panda Holiday” – DreamWorks Animation
Music in a Television Production - Jeremy Wakefield, Sage Guyton, Nick Carr, Tuck Tucker “SpongeBob SquarePants” – Nickelodeon
Production Design in a Television Production - Richie Sacilioc “Kung Fu Panda Holiday” – DreamWorks Animation
Storyboarding in a Television Production - Tom Owens “Kung Fu Panda Holiday” – DreamWorks Animation
Voice Acting in a Television Production -James Hong as Mr. Ping “Kung Fu Panda Holiday” – DreamWorks Animation
Writing in a Television Production -Geoff Johns, Matthew Beans, Zeb Wells, Hugh Sterbakov, Matthew Senreich, Breckin Meyer, Seth Green, Mike Fasolo, Douglas Goldstein, Tom Root, Dan Milano, Kevin Shinick & Hugh Davidson “Robot Chicken: Star Wars Episode III” – ShadowMachine
Best Animated Television Commercial - Children’s Medical Center – DUCK Studios
Best Animated Television Production - Kung Fu Panda Holiday – DreamWorks Animation
Best Animated Television Production for Children - SpongeBob SquarePants – Nickelodeon
Best Animated Video Game - Limbo – Playdead

Art Directors Guild Award Winners

Last year, Avatar won this award, so they are not afraid to reward more sci-fi/futuristic movies. But this year, it looks like The King's Speech will take the prize.

Contemporary feature film: Therese DePrez, BLACK SWAN
Fantasy feature film: Guy Hendrix Dyas, INCEPTION
Period feature film: Eve Stewart, THE KING’S SPEECH
One-hour single camera TV series: Dan Bishop of MAD MEN
Half-hour single camera TV series: Richard Berg of MODERN FAMILY
Awards, music or game show: David Rockwell, 82nd ANNUAL ACADEMY AWARDS
TV movie or miniseries: Robb Wilson King, SECRETS IN THE WALL
Multi-cam, variety or unscripted series: SATURDAY NIGHT LIVE
Commercial or music video: Jesse B. Benson, DOS EQUIS commercial

Saturday, February 5, 2011

WGA Awards

Big win for Nolan, but Seidler will take the Oscar. As for Sorkin, I think that he has this one in the bag, and no matter what happens in the top category, the screenplays should split between the top two contenders. Also, Inside Job has become the frontrunner for Best Documentary.

Best Original Screenplay: Christopher Nolan, Inception
Best Adapted Screenplay – Aaron Sorkin, The Social Network
Documentary Writing – Inside Job
WGA New Media Original Award – Anyone But Me
Best Long form Television, adapted – The Pacific
Long form Original – The Special Relationship
Episodic Comedy – 30 Rock

USC Scripter Award

In a well deserved win, Aaron Sorkin, the screenwriter, and Ben Mezrich the novelist of The Social Network take home the prestigious USC Scripter Award. Hopefully, the Academy (which includes the WGA this evening) will not pull a doozy and not give Sorkin his overwhelmingly deserved Oscar. I guess we'll just have to watch and see.

Friday, February 4, 2011

Grammy Predictions: Rap

The Grammy Awards are next weekend, so until them I am going to post my predictions for who I think will take home the top prizes. Here is a look at the Rap categories.

Best Rap Album
Will Win: Eminem "Recovery"
Should Win: The Roots "How I Got Over"
Should Have Been Nominated: Big Boi "Sir Lucious"
Commentary: Big Boi's brilliant album was completely snubbed, and despite better albums this year, Eminem is set to sweep the Grammys, and this one should be no exception.

Best Rap Solo
Will Win: Eminem "Not Afraid"
Should Win: Kanye West "Power"
Commentary: West should win for his triumphant Power, but the overrated Not Afraid should give Eminem another Grammy for his shelf.

Best Rap Duo or Group
Will Win: Jay-Z & Swizz Beatz "On To the Next One"
Should Win: Big Boi & Cutty "Shutterbug"
Commentary: Perennial faves Jay-Z and Swizz Beatz should beat the competiton although they may use this category to honor newcomers Nicki Minaj and Drake.

Best Rap/Sung Collaboration
Will Win: Eminem & Rihanna "Love the Way You Lie"
Should Win: Jay-Z & Alicia Keys "Empire State of Mind"
Commentary: This category has three record of the year nominees, so it could go anyway. My guess is that Eminem and Rihanna take the prize.

Best Rap Song
Will Win: Love the Way You Lie
Should Win: Empire State of Mind
Commentary: Predicting the sweep.

Wednesday, February 2, 2011

Woody Allen's Midnight in Paris Will Open 2011 Cannes

Here is the article/picture from AwardsDaily:

What do you get when you mix Carla Bruni, Woody Allen and the Cannes Film Fest?  Complete and utter madness.  The news has just broken that Woody Allen will indeed open the Cannes Film Fest with Midnight in Paris, starring Rachel McAdams, Marion Cotillard, Michael Sheen, Owen Wilson and Kathy Bates.  This will be the Woodman’s 10th film at the fest


Inception Wins Big at VES Awards

No surprise here, Inception is the clear frontrunner for the Best Visual Effects Category.

Outstanding Visual Effects in a Visual-Effects Driven Feature Motion Picture: “Inception”
Paul Franklin, Chris Corbould, Mike Chambers and Matthew Plummer

Outstanding Supporting Visual Effects in a Feature Motion Picture: “Hereafter”
Michael Owens, Joel Mendias, Bryan Grill and Danielle Plantec

Outstanding Animation in an Animated Feature Motion Picture: “How to Train Your Dragon”
Simon Otto, Craig Ring and Bonnie Arnold

Outstanding Animated Character in a Live Action Feature Motion Picture : “Harry Potter and the Deathly Hallows: Part 1″ – Dobby
Mathieu Vig, Ben Lambert, Laurie Brugger and Marine Poirson

Outstanding Animated Character in an Animated Feature Motion Picture: “How to Train Your Dragon” – Toothless
Gabe Hordos, Cassidy Curtis, Mariette Marinus and Brent Watkins

Outstanding Effects Animation in an Animated Feature Motion Picture: “How to Train Your Dragon”
Andy Hayes, Laurent Kermel, Jason Mayer and Brett Miller

Outstanding Created Environment in a Live Action Feature Motion Picture: “Inception” – Paris Dreamscape
Bruno Baron, Dan Neal, Graham Page and Per Mork-Jensen

Outstanding Models & Miniatures in a Feature Motion Picture: “Inception” – Hospital Fortress Destruction
Ian Hunter, Scott Beverly, Forest Fischer and Robert Spurlock

Outstanding Compositing in a Feature Motion Picture: “Inception
”
Astrid Busser-Casas, Scott Pritchard, Jan Maroske and George Zwier

Outstanding Achievement in an Animated Short : “Day & Night”
Teddy Newton, Kevin Reher, Michael Fu and Tom Gately

Monday, January 31, 2011

The State of the Race: Post PGA/DGA/SAG

What a difference a week makes. Okay more like 10 days, but in the end, the fact remains that within a very short period of time the Oscar race has been turned upside down, in a way that has not quite happened, at least not at this kind of magnitude, in recent history. In 2004, Million Dollar Baby upset The Aviator, but the Guilds were split up between those two and Sideways, and there was no clear winner. The other most recent one is the case of Crash, but that turnaround didn't come until Jack Nicholson read out the winner, and only a few inklings from people around the buisness even hinted at such an upset.

Of course the great turnaround I am referring to is the sudden surge of Tom Hooper's historical drama The King's Speech, and the sudden downfall of The Social Network. Despite The Social Network's unprecedented sweep of the critics' awards, when it came down to it, it seems to have run out of steam.

Or did it have any at all. Winning the BFCA, the GG, and tons of critics awards is nice, but none of them meet shit in this buisness because they are not Academy voters. The real awards, the ones that count are the guilds, as they are the ones that ultimately decide who wins the big award. And it seems that The Social Network simply did not have the momentum we thought. The question that has been raging is why? Why all of the sudden has the tide turned? The answer lies in many different areas, but really it lies with the voters. The King's Speech is a timeless tale, impeccably made, incredibly well-acted, and most importantly, it gives you someone, or in this case, three people to cheer for. I know what your thinking though, if this had been the case, then how did darker films such as The Hurt Locker, The Departed, No Country for Old Men, and Crash beat out more traditional tales of hope and triumph? While the Academy has tended over the last decade to move away from its more epic, inspiring past, to more gritty affair, it seems that this year, it has rediscovered its roots. The Social Network simply wasn't a movie that moved members' hearts, and in many cases, it was seen as a movie for college kids, not middle aged Academy voters. Remember, people are biased, the Academy still skews older despite recent young additions, and in the end, while they may reward The Social Network for its craft in specific categories, when they listen to their hearts, it thumps for The King's Speech.

While the race is far from over, and anything is possible, it is safe to say that it is going to take a lot of last minute campaigning to overcome this sudden surge from The King's Speech. I do however feel that Tom Hoopers position as the frontrunner for Best Director is rather shaky. His story reminds me a lot of Rob Marshalls, where he won the DGA due to the large number of television voters, but lost the Oscar to the veteran (Roman Polanski). I am still predicting that Fincher comes in and steals the BD trophy, while TKS takes the top prize.

The acting awards are also starting to solidify, as the four frontrunners continued their domination. While I still think that Hailee Steinfeld, Helena Bonham Carter, Geoffrey Rush, Amy Adams, and Annette Bening are quality challengers in their respective races, the frontrunners remain securly intact. The last show of importance for these awards is the BAFTA, where it should be noted that Melissa Leo was not nominated.

On a final note, I wanted to point out something ironic that I have noticed since this sweep began. Before the PGA's every blogger, pundit, and commentor was complaining about the redundancy of The Social Network. Now that there has been a shocking turnaround, these same individuals are complaining that the best film of the year is now losing to a "TV Movie". For the record, my favorite movie of the year was The Social Network. But The King's Speech is leagues above a TV Movie, and in this year of cinematic excellence, it is nice to see a close race that, for me at least, doesn't have  and ugh! contender, and whatever happens an excellent film will win a well-deserved prize. And to the hypocrites out there who keep complaining, get over it.

Sunday, January 30, 2011

SAG Winners

I'll do an updated State of the Race later this week, and look out for the VES Awards on Tuesday.

Movie Winners
Best Ensemble - The King's Speech!!
Best Actor - Colin Firth "The King's Speech"
Best Actress - Natalie Portman "Black Swan"
Best Supporting Actress - Melissa Leo "The Fighter"
Best Supporting Actor - Christian Bale "The Fighter"
Stunt Ensemble - Inception

TV Winners
Best Drama Series Ensemble - Boardwalk Empire
Best Actor in a Drama - Steve Buscemi "Boardwalk Empire"
Best Actress in a Drama - Julianna Marglies "The Good Wife"
Best Comedy Series Ensemble - Modern Family
Best Actor in a Comedy - Alec Baldwin "30 Rock"
Best Actress in a Comedy - Betty White "Hot in Cleveland"!
Best Actor in a TV Movie/Miniseries - Al Pacino "You Don't Know Jack"
Best Actress in a TV Movie/Miniseries - Claire Danes "Temple Grandin"
Stunt Ensemble -True Blood

SAG Lifetime Achievement - Ernest Borgnine