Tuesday, March 18, 2025

2025 iHeartRadio Music Award Winners

Song of the Year:
“Beautiful Things”- Benson Boone 

Pop Song of the Year:
“Espresso”- Sabrina Carpenter 

Pop Artist of the Year:
Sabrina Carpenter

Artist of the Year:
Taylor Swift 

Best Collaboration:
“Die With a Smile”- Lady Gaga and Bruno Mars

Best New Artist (Pop):
Teddy Swims

Country Song of the Year:
“I Had Some Help”- Post Malone featuring Morgan Wallen 

Country Artist of the Year:
Jelly Roll

Best New Artist (Country):
Shaboozey 

Hip-Hop Song of the Year:
“Not Like Us”- Kendrick Lamar 

Hip-Hop Artist of the Year:
GloRilla

Best New Artist (Hip-Hop):
BossMan Dlow

R&B Song of the Year:
“Made For Me”- Muni Long 

R&B Artist of the Year:
SZA

World Artist of the Year:
Tyla 

Best New Artist (R&B):
4Batz

Alternative Song of the Year:
“Too Sweet”- Hozier 

Alternative Artist of the Year:
Green Day 

Best New Artist (Alt and Rock):
Fontaines D.C.

Rock Song of the Year:
“A Symptom of Being Human” - Shinedown 

Rock Artist of the Year:
Shinedown 

Dance Song of the Year:
“360” - Charli xcx 

Dance Artist of the Year:
David Guetta

Latin Pop / Urban Song of the Year:
“Perro Negro”- Bad Bunny featuring FEID

Latin Pop / Urban Artist of the Year:
FEID 

Best New Artist (Latin Pop / Urban):
Kapo

Regional Mexican Song of the Year:
“Alch Si” - Grupo Frontera and Carin León

Regional Mexican Artist of the Year:
Peso Pluma

Best New Artist (Regional Mexican):
Xavi

K-pop Artist of the Year:
ATEEZ 

K-pop Song of the Year:
“Who”- Jimin — WINNER

Best New Artist (K-pop):
ILLIT

Producer of the Year:
Julian Bunetta 

Songwriter of the Year:
Amy Allen 

Favorite Soundtrack:
Wicked 

Favorite Broadway Debut:
Rachel Zegler – Romeo + Juliet 

Favorite K-pop Dance Challenge
“GGUM”- Yeonjun (TXT) 

Favorite Surprise Guest: 
Taylor Swift bringing out Travis Kelce 

Favorite Tour Tradition
Taylor Swift - Surprise songs

Best Lyrics:
“Fortnight” - Taylor Swift featuring Post Malone 

Best Music Video:
“Fortnight”- Taylor Swift featuring Post Malone

Favorite Tour Style:
Taylor Swift – The Eras Tour

Favorite Tour Photographer:
Alfredo Flores - Sabrina Carpenter

Favorite On Screen:
Taylor Swift | The Eras Tour (Taylor's Version) (Taylor Swift)

Saturday, March 15, 2025

3rd Annual Children & Family Emmy Awards

Outstanding Preschool Series
Blue's Clues & You!

Outstanding Children's or Family Viewing Series
Fraggle Rock: Back to the Rock

Outstanding Young Teen Series
Percy Jackson and the Olympians

Outstanding Fiction Special
The Velveteen Rabbit

Outstanding Non-Fiction Program
Stand Up & Shout: Songs From a Philly High School

Outstanding Preschool Animated Series
The Tiny Chef Show

Outstanding Children's or Young Teen Animated Series
Marvel's Moon Girl and Devil Dinosaur

Outstanding Animated Special
Orion and the Dark

Outstanding Short Form Live Action Program
Elmo and Jesse Remember Uncle Jack | Grief

Outstanding Short Form Animated Program
Once Upon a Studio

Outstanding Public Service Initiative
La Fuerza-STEM: Engaging Hispanic Families in Science Through Culturally Relevant Media
            *HONORABLE MENTION* - Sesame Workshop: Emotional Well-Being

Outstanding Lead Performer in a Preschool, Children's or Young Teen Program
Christian Slater as Mulgarath - The Spiderwick Chronicles

Outstanding Supporting Performer in a Preschool, Children's or Young Teen Program
Amanda Lawrence as Matron Shipley - Malory Towers

Outstanding Younger Performer in a Preschool, Children's or Young Teen Program
Phoenix Laroche as William - The Velveteen Rabbit

Outstanding Puppetry Performer
Leslie Carrara-Rudolph as Abby Cadabby & Tango - Sesame Street

Outstanding Voice Performer in a Preschool Program
Kari Wahlgren as Granny Caterina, Ms. Poochytail & Magda - Superkitties

Outstanding Voice Performer in a Children's or Young Teen Program
Eric Bauza as Daffy Duck & Bugs Bunny - Teen Titans Go!

Outstanding Younger Voice Performer in a Preschool, Children's or Young Teen Program
Jacob Tremblay as Orion - Orion and the Dark

Outstanding Children's Personality
Meryl Streep - Storyline Online

Outstanding Writing for a Children's or Young Teen Animated Series
"Dancing With Myself" - Marvel’s Moon Girl and Devil Dinosaur

Outstanding Directing for a Single Camera Live Action Series
(TIE) "The Big City" - A Real Bug’s Life AND "I Accidentally Vaporize My Pre-Algebra Teacher" - Percy Jackson and the Olympians

Outstanding Individual Achievement in Animation

Background Design
Miho Tomimasu - Visual Development Artist
Orion and the Dark

Philip Vose - Background Designer
Merry Little Batman

Character Animation
Elena Najar - Animation Supervisor
Merry Little Batman 

Character Design
Lesego Vorster - Character Designer
Kizazi Moto: Generation Fire (Disney+)
Color
Lauren Zurcher - Visual Development Artist / Digimatte
Artist
Orion and the Dark (Netflix [DreamWorks Animation])

Production Design
Guillaume Fesquet - Art Director
Merry Little Batman (Amazon Prime Video [Amazon MGM Studios, DC
Comics, Warner Bros. Animation])

Storyboard
David Lux - Storyboard Artist
Snoopy Presents: Welcome Home, Franklin (Apple TV+ [WildBrain Studios
in association with Apple])

75th America Cinema Editors (ACE) Eddie Award Winners

Best Edited Feature Film (Drama, Theatrical)
Emilia Pérez
Juliette Welfling

Best Edited Feature Film (Comedy, Theatrical)
Wicked 
Myron Kerstein, ACE

Best Edited Animated Feature Film
The Wild Robot 
Mary Blee

Best Edited Documentary Feature
Will & Harper 
Monique Zavistovski, ACE

Best Edited Documentary Series
Chimp Crazy (102 – Gone Ape)
Evan Wise, ACE
Charles Divak, ACE
Adrienne Gits, ACE
Doug Abel, ACE

Best Edited Multi-Camera Comedy Series
Frasier (207 – My Brilliant Sister) (WINNER)
Russell Griffin, ACE

Best Edited Single Camera Comedy Series
What We Do in the Shadows (603 – Sleep Hypnosis)
Liza Cardinale, ACE
Dane McMaster, ACE

Best Edited Drama Series
Shogun (110 – A Dream of A Dream) 
Maria Gonzales, ACE

Best Edited Feature Film (Non-Theatrical)
Road House
Doc Crotzer, ACE

Best Edited Limited Series
Baby Reindeer (104 – Episode 4) 
Peter H. Oliver
Benjamin Gerstein

Best Edited Non-Scripted Series
Welcome to Wrexham (305 – Temporary) (WINNER)
Tim Wilsbach, ACE
Steve Welch, ACE
Michael Brown
Michael Oliver
Tim Roche
Matt Wafaie
Jenny Krochmal

Best Edited Variety Talk/Sketch Show or Special
Last Week Tonight with John Oliver (1103 – Boeing) (WINNER)
Anthony Miale, ACE

Best Edited Animated Series
X-Men '97 (105 – Remember It) 
Michelle McMillan

Wednesday, March 5, 2025

2025 Olivier Award Nominations

Best New Play
The Fear of 13 by Lindsey Ferrentino at Donmar Warehouse
Giant by Mark Rosenblatt at Jerwood Theatre Downstairs at Royal Court Theatre
Kyoto by Joe Murphy and Joe Robertson at @sohoplace
Shifters by Benedict Lombe at Duke of York’s Theatre
The Years adapted by Eline Arbo, in an English version by Stephanie Bain at Almeida Theatre and Harold Pinter Theatre

Best New Musical
The Curious Case of Benjamin Button, music and lyrics by Darren Clark, book and lyrics by Jethro Compton at Ambassadors Theatre
MJ The Musical, book by Lynn Nottage at Prince Edward Theatre
Natasha, Pierre and The Great Comet of 1812, music, lyrics and book by Dave Malloy at Donmar Warehouse
Why Am I So Single?, music, lyrics and book by Toby Marlow and Lucy Moss at Garrick Theatre

Best Revival
The Importance of Being Earnest by Oscar Wilde at National Theatre – Lyttelton
Machinal by Sophie Treadwell at The Old Vic
Oedipus by Robert Icke at Wyndham’s Theatre
Waiting For Godot by Samuel Beckett at Theatre Royal Haymarket

Best Musical Revival
Fiddler on the Roof, music by Jerry Bock, lyrics by Sheldon Harnick, book by Joseph Stein at Regent’s Park Open Air Theatre
Hello, Dolly!, music and lyrics by Jerry Herman, book by Michael Stewart at The London Palladium
Oliver!, book, music and lyrics by Lionel Bart, new material and revisions by Cameron Mackintosh at Gielgud Theatre
Starlight Express, music by Andrew Lloyd Webber, lyrics by Richard Stilgoe at Troubadour Wembley Park Theatre

Best Actor in a Supporting Role
Jorge Bosch for Kyoto
Tom Edden for Waiting for Godot
Elliot Levey for Giant
Ben Whishaw for Bluets

Best Actress in a Supporting Role
Sharon D Clarke for The Importance of Being Earnest
Romola Garai for Giant
Romola Garai for The Years
Gina McKee for The Years

Best Actress in a Supporting Role in a Musical
Liv Andrusier for Fiddler on the Roof
Amy Di Bartolomeo for The Devil Wears Prada
Beverley Klein for Fiddler on the Roof
Maimuna Memon for Natasha, Pierre and The Great Comet of 1812

Best Actor in a Supporting Role in a Musical
Andy Nyman for Hello, Dolly!
Raphael Papo for Fiddler on the Roof
Layton Williams for Titanique
Tom Xander for Mean Girls

Best Actor in a Musical
John Dagleish for The Curious Case of Benjamin Button
Adam Dannheisser for Fiddler on the Roof
Myles Frost for MJ The Musical
Simon Lipkin for Oliver!
Jamie Muscato for Natasha, Pierre and The Great Comet of 1812

Best Actress in a Musical
Chumisa Dornford-May for Natasha, Pierre and The Great Comet of 1812
Lauren Drew for Titanique
Clare Foster for The Curious Case of Benjamin Button
Lara Pulver for Fiddler on the Roof
Imelda Staunton for Hello, Dolly!

Best Actress
Heather Agyepong for Shifters
Lesley Manville for Oedipus
Rosie Sheehy for Machinal
Meera Syal for A Tupperware of Ashes
Indira Varma for Oedipus

Best Actor
Adrien Brody for The Fear of 13
Billy Crudup for Harry Clarke
Paapa Essiedu for Death of England: Delroy
John Lithgow for Giant
Mark Strong for Oedipus

Best Director
Eline Arbo for The Years
Jordan Fein for Fiddler on the Roof
Nicholas Hytner for Giant
Robert Icke for Oedipus

Best Costume Design
Hugh Durrant for Robin Hood
Sachiko Nakahara for Spirited Away
Tom Scutt for Fiddler on the Roof

Best Sound Design
Nick Lidster for Fiddler on the Roof
Christopher Shutt for Oedipus
Thijs van Vuure for The Years
Koichi Yamamoto for Spirited Away

Best New Entertainment or Comedy Play
Ballet Shoes adapted by Kendall Feaver at National Theatre
Inside No. 9 Stage/Fright by Steve Pemberton and Reece Shearsmith
Spirited Away adapted by John Caird and co-adapted by Maoko Imai
Titanique by Tye Blue, Marla Mindelle and Constantine Rousouli

Best Family Show
Brainiac Live at Marylebone Theatre
Maddie Moate's Very Curious Christmas at Apollo Theatre
The Nutcracker at Polka Theatre
Rough Magic at Shakespeare's Globe

Best Theatre Choreographer
Matthew Bourne for Oliver!
Julia Cheng for Fiddler on the Roof
Hofesh Shechter for Oedipus
Christopher Wheeldon for MJ The Musical

Best Set Design
Jon Bausor for set design, Toby Olié and Daisy Beattie for puppetry design, and Satoshi Kuriyama for projection design — Spirited Away
Frankie Bradshaw for set design — Ballet Shoes
Es Devlin for set design — Coriolanus
Tom Scutt for set design — Fiddler on the Roof

Best Lighting Design
Paule Constable and Ben Jacobs — Oliver!
Howard Hudson — Starlight Express
Howard Hudson — Natasha, Pierre and the Great Comet of 1812
Aideen Malone — Fiddler on the Roof

Best New Production in Affiliate Theatre
Animal Farm — Theatre Royal Stratford East
Boys on the Verge of Tears — Soho Theatre
English — Kiln Theatre
Now, I See — Theatre Royal Stratford East
What We Talk About When We Talk About Anne Frank — Marylebone Theatre

Outstanding Achievement in Opera
Aigul Akhmetshina for Carmen at the Royal Opera House
Allan Clayton for Festen at the Royal Opera House
Jung Young-doo for direction of Lear at the Barbican

Best New Opera Production
Duke Bluebeard's Castle by ENO at the London Coliseum
Festen by the Royal Opera at the Royal Opera House
L'Olimpiade by Irish National Opera and the Royal Opera at the Royal Opera House
The Tales of Hoffmann by the Royal Opera at the Royal Opera House

Best New Dance Production
Assembly Hall — Sadler's Wells
Frontiers: Choreographers of Canada — Pite/Kudelka/Portner — Sadler's Wells
Theatre of Dreams — Sadler's Wells
An Untitled Love — Sadler's Wells

Outstanding Achievement in Dance
Sarah Chun for her performance in Three Short Ballets
Tom Visser for his lighting design of Angels' Atlas as part of Frontiers: Choreographers of Canada — Pite/Kudelka/Portner
Eva Yerbabuena for her performance in Yerbabuena

Outstanding Musical Contribution
Mark Aspinall for Musical Supervision and Additional Orchestrations for Fiddler on the Roof
Darren Clark for Music Supervision, Orchestrations and Arrangements and Mark Aspinall for Musical Direction, Music Supervision, Orchestrations and Arrangements for The Curious Case of Benjamin Button
Dave Malloy for Orchestrations and Nicholas Skilbeck for Musical Supervision for Natasha, Pierre and The Great Comet of 1812
Asaf Zohar for Compositions and Gavin Sutherland for Dance Arrangements and Orchestration for Ballet Shoes

Monday, March 3, 2025

The Oscar Narrative: The End

So it turns out that Conan O'Brien is exactly what the Oscars needed. The ratings will still probably not be where ABC or The Academy wants them to be, added to the fact that Hulu having issues on the streaming side, but the reviews for his hosting gig were almost universal praise. He was funny, stayed out of too many controversies, and was not afraid to embrace ridiculous (but never too ridiculous). He says he will never come back, and I hope that is not the case. Of course there were some parts that could have been cut (did we need another Bond tribute?), and it still was too long (thank God it now starts an hour earlier, I'm getting too old). But that is the Oscars. If you are expecting perfection, if you think that every bit is going to work all the time, you are always going to be disappointed. This was one of the better ceremonies, and for that we can all be grateful. 

Anora winning Best Picture might have had a lot of viewers confused (I have had so many people say the dreaded - "I've never heard of that"), but I think it was a great choice, especially in this year that felt muted in terms of award worthy projects (to be fair, it is hard to top last year's lineup of ten). It's a Cinderella story that saw a May Cannes premiere ride all the way to March, a new talented actress get her star moment, and a hardworking veteran director finally get his due on a grand stage. It also was a great moment to celebrate truly independent filmmaking on a large scale, hopefully encouraging some of the viewers to give more of these films a chance. Plus the film was fantastic, and not the most conventional winner. That is good news for the Academy that has worked hard to diversity its membership, including with younger voters. I hated that Demi did not win, as many of you know, I am a sucker for rewarding the overdue. But I loved Mikey in the role, and she earned the gold. In some of the other categories there were upsets like Flow beating The Wild Robot. This is yet another signal that the membership changes are making an impact on the outcome of the vote. In so many others, it was more predictable than we assumed it would be, and interesting dichotomy. Overall though, there were no egregious winners (the El Mal win for Emilia Perez was the really only cringe one, but that had more to do with the speech than the song), some great projects got some recognition, and other than Adrien Brody's never-ending speech, most folks were pithy and respectful. 

Sixteen years ago I was a college student, who started this little blog to get my thoughts out about the Oscars. It was not the most coherent blog, small in size with a limited audience. It's still a little blog, my thoughts are still incoherent, and my audience is still pretty small. But for the now almost two decades, it has been a great place for me to post award winners and talk about who I think will win. A special thank you to those who do tune in, I appreciate each and every one of you for indulging me all these years. I don't always get it right. This year, I went 17/23. Not my worst year, and I was 17/20 if you take out those shorts, where I really missed the mark. I'm not as concerned about getting it right or wrong, what I care about this that I still enjoy it. Sometimes life gets in the way, sometimes, if you are not feeling the season, it can be a slog. But it is inevitable that by the time the music starts playing on Oscar Night, all of that melts away, and you get sucked back into the grandeur of all it. Then there is that sadness knowing that you have to wait another year to experience it again. The way some people feel about their favorite festival or sporting event, that's how I feel about The Oscars. It is my Final Four, or national championship, or Super Bowl. This past summer, I visited a friend in LA, and I got to walk into the Dolby Theater, visit the Academy Museum, and absorb so much film and Oscar history. It was wonderful, and reminded me so much of why, despite popular belief by some, the Oscars still matter. There is so much going on in our world. There is a lot of fear, economic strife, war, and political issues that feel overwhelming at times. That is why we need to continue to celebrate the things in our lives that entertain us, give us an escape and more important, give us hope. Movies, especially the theatrical experience, are a great way to escape, and they, like all great art, can have a unique way of leveling the playing field and uniting us. Right now, we could all use more of that. I think Conan, as he ended his opening monologue, said it best: "Now, for almost a century, we have paused every spring to elevate and celebrate an art form that has the power at its very best to unite us. So, yes, even in the face of terrible wildfires and divisive politics, the work, which is what this is about, the work continues. And next year and for years to come, through trauma and joy, this seemingly absurd ritual is going to be here...the magic, the madness, the grandeur, and the joy of film worldwide is going to be with us forever." Amen. 

See you next time around for Year 17.

Sunday, March 2, 2025

The 97th Academy Awards

Best Picture - Anora
Best Director - Sean Baker "Anora"
Best Actor - Adrien Brody "The Brutalist"
Best Actress - Mikey Madison "Anora"
Best Supporting Actor - Kieran Culkin "A Real Pain"
Best Supporting Actress - Zoe Saldana "Emilia Perez"
Best Adapted Screenplay - Peter Straughn "Conclave"
Best Original Screenplay - Sean Baker "Anora"
Best Animated Feature - Flow
Best Documentary Feature - No Other Land
Best International Feature - I'm Still Here (Brazil)
Best Cinematography - Lol Crawley "The Brutalist"
Best Costume Design - Paul Tazewell "Wicked"
Best Film Editing - Sean Baker "Anora"
Best Makeup and Hairstyling - Pierre-Olivier Persin, Stéphanie Guillon and Marilyne Scarselli "The Substance"
Best Original Score - Daniel Blumberg "The Brutalist"
Best Original Song - Emilia Perez - El Mal -  Clément Ducol, Camille, and Jacques Audiard
Best Production Design - Nathan Crowley and Lee Sandales "Wicked"
Best Sound - Gareth John, Richard King, Ron Bartlett and Doug Hemphill "Dune: Part II"
Best Visual Effects - Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer "Dune: Part II"
Best Animated Short - In the Shadow of the Cypress
Best Documentary Short - The Only Girl in the Orchestra
Best Live Action Short - I'm Not a Robot

Saturday, March 1, 2025

15th Annual Awards Psychic Award Winners

Best Picture - Drama
Winner - Sing Sing
Runner Up - The Brutalist, Conclave, Nickel Boys
Commentary - The Brutalist was bold, Nickel Boys was daring, and Conclave was entertaining. But the film I keep coming back to is Sing Sing. It is such as heartbreaking, realistic, and bold film that showcases real-life in a bold, funny, and heartwarming way that lights up the screen. A beautiful story and an extraordinary cast illuminate the screen in a film that will stick with me for a long time. 

Best Picture - Comedy/Musical
Winner - (TIE) Anora and Wicked
Runners Up - Challengers, My Old Ass, Saturday Night, Thelma
Commentary - Again, this was a great year in this category, and it was hard to choose. Wicked gets a lot of flack from the film Twitter, film critic, film pretentious world. In fact, an article recently released by a major publication listed it as the worst film nominated for Best Picture. Those writers completely missed the point. For those of us who spent hours singing Defying Gravity at the top of our lungs for the last twenty years, Wicked exceeded every one of our expectations. It was bold, funny, brilliant, bright, and a hell of a theatrical experience that swept you away. On the flip side was Anora, a darkly funny Pretty Woman tale that is ferocious entertainment from start to finish, with a jaw-dropping amount of surprising depth that is a true testament to the brilliant script and deft direction of Sean Baker, who is finally getting his due with Oscar voters. 

Best Picture Sci-Fi/Fantasy/Action/Horror
Winner - The Substance
Runner Up - Dune: Part Two, The Fall Guy, Furiosa: A Mad Max Saga, Heretic, Nosferatu
Commentary - Whew, there were parts of The Substance where I had to turn away. But the message was loud and clear. Coralie Farget, Demi Moore, Margaret Qualley, and their fantastic team of artists have created a beautifully horrifying dark comedy that has some brilliant references to film history, is a perfect metaphor for the horrors of aging in Hollywood, and is wildly entertaining. 

Best Picture - Animated
Winner - The Wild Robot
Runners Up - Flow, Inside Out 2, Memoir of a Snail, and Wallace and Gromit: Vengeance Most Fowl
Commentary - The Wild Robot was a bit of surprise, and what a joyous one it was. It is such a profound, endearing, heart-warming and heart-breaking adventure that is perfect for both kids and adults alike. A true joy to watch. 

Best Picture - Documentary
Winner - Soundtrack to a Coup d'Etat 
Runners Up - No Other Land, Sugarcane, Will & Harper
Commentary - I was in awe of creativity of Soundtrack to a Coup d'état. The story was fascinating, and the ability of Johan Grimonprez to weave music, politics, and history into an epic that connects so much of the world at that time. 

Best Director
Winner - Sean Baker "Anora"
Runners Up - Luca Guadagnino "Challengers" and "Queer", Edward Berger "Conclave", RaMell Ross "Nickel Boys"
Commentary - See Best Picture - Comedy/Musical

Best Actor - Drama
Winner - (TIE) Colman Domingo "Sing Sing" and Ralph Fiennes "Conclave"
Runners Up - Timothee Chalamet "A Complete Unknown", Daniel Craig "Queer"
Commentary - Another one where I could not make a choice. Colman Domingo is jaw-dropping in Sing Sing, breaking our heart and bringing a gut-wrenching heart and soul to a magnificent film. 

Best Actress - Drama
Winner - Marianne Jean-Baptiste "Hard Truths"
Runners Up - Pamela Anderson "The Last Showgirl" and Fernanda Torres "I'm Still Here"
Commentary - Marianne Jean-Baptiste is a master performer, and it takes a lot to make her obnoxious, unlikable character in Mike Leigh's Hard Truths watchable. But Jean-Baptiste navigates the thorniness of her character and brings incredible depth to a role that is magnificently executed. The real shame in this awards season is that Oscar voters could not make room for her in the Best Actress race. 

Best Actor - Comedy/Musical
Winner - (TIE) Mike Faist "Challengers" and Josh O'Connor "Challengers"
Runners Up - Ryan Gosling "The Fall Guy", Hugh Grant "Heretic", Gabriel LaBelle "Saturday Night", Glen Powell "Hit Man", Sebastian Stan "A Different Man"
Commentary - So if I didn't already like Faist and O'Connor, damn did they not bring the heat and tension to Challengers. Their relationship is so center to the film, and they manage to make us laugh, keep us entertained, and get our temperature turned up, maybe a little too much. 

Best Actress - Comedy/Musical
Winner - (TIE) Mikey Madison "Anora" and Demi Moore "The Substance"
Runners Up - Cynthia Erivo "Wicked", June Squibb "Thelma", Maisy Stella "My Old Ass", Zendaya "Challengers"
Commentary - A great year for this category, with some shoutouts to June Squibb, Cynthia Erivo, Maisy Stella, and Zendaya. I could not narrow it down beyond two, so I picked both. Demi Moore is in the role of the a lifetime in The Substance. She is jaw-dropping capturing the camp and horror of aging in Hollywood. I am so happy to see such a talent get a well-deserved Oscar nod. But who can deny the power of Mikey Madison. When she blazes on the screen as Anora, she is a mighty ferocity that cannot be contained. That is, until the final scene, where her exterior breaks and she breaks our heart. 

Best Supporting Actor
Winner - Clarence Maclin "Sing Sing"
Runners Up - Yura Borisov "Anora", Edward Norton "A Complete Unknown", Denzel Washington "Gladiator II"
Commentary - Maclin, whose story is the heart and center of Sing Sing with his true-to-life performance, is magnetic in the role, steals the scene every time he appears, and brings some depth of much-needed humor to the film. A true Cinderella Hollywood story that is worth celebrating. 

Best Supporting Actress
Winner - Ariana Grande "Wicked"
Runners Up - Michele Austin "Hard Truths", Aunjanue Ellis-Taylor "Nickel Boys", Natasha Lyonne "His Three Daughters"
Commentary - When they announced the cast for Wicked, I let out an audible "UGH" when they said that Ariana Grande was cast as Glinda (played originally by one of my personal favorites Kristin Chenoweth). But after seeing Wicked, I am so happy to report that I was 100% wrong. Grande rose the occasion on a musical level, and on an acting level. She perfectly captured the camp, glam, and ridiculousness of her character, while also easily finding the depth and emotion lying underneath. 

Best Ensemble
Winner - Saturday Night
Runners Up - Anora, Challengers, Conclave, Sing Sing, and Wicked
Commentary - I really liked Saturday Night, and felt like it was underrated during this awards season. In particular, the large cast really did an excellent job of capturing their real-life muses, and the chaotic nature of the first SNL episode. 

Best Voice Acting/Motion Capture Performance
Winner - Lupita Nyong’o “The Wild Robot”
Runners Up - Maya Hawke "Inside Out 2", Kevin Durand “Kingdom of the Planet of the Apes”,Sarah Snook “Memoir of a Snail”
Commentary - Lupita Nyong'o's beautiful work in The Wild Robot elevated the film, and once again, like so many before her, proved that we are not doing enough to recognize the work of voice actors. 

Best Adapted Screenplay
Winner - Peter Straughan "Conclave"
Runner Up - Jay Cocks and James Mangold "A Complete Unknown", RaMell Ross and Joslyn Barnes "Nickel Boys", Clint Bentley, Greg Kwedar, Clarence Maclin, and John “Divine G” Whitfield "Sing Sing", Chris Sanders "The Wild Robot"
Commentary - Conclave's twist and turns, all slow boiling to a surprising ending showcase the writing strength of the great Peter Straughn, who will most likely win a well-deserved Oscar (finally) this weekend. 

Best Original Screenplay
Winner - Sean Baker "Anora"
Runners Up - Justin Kuritzkes "Challengers", Mike Leigh "Hard Truths", Azazel Jacobs "His Three Daughters", Megan Park "My Old Ass"
Commentary - See Best Picture - Comedy/Musical

Best Cinematography
Winner - (TIE) Lol Crawley "The Brutalist" and Jomo Fray "Nickel Boys"
Runners Up - Sayombhu Mukdeeprom "Challengers", Greig Fraser "Dune: Part II", Edward Lachman "Maria"
Commentary - Both The Brutalist and Nickel Boys brought jaw-dropping cinematography on a small budget with perfect angles, beautiful shots, and both made their camera work almost characters that helped moved the film forward. Beautiful work on both accounts. 

Best Costume Design
Winner - Paul Tazewell "Wicked"
Runners Up - Lisy Christl "Conclave", Linda Muir "Nosferatu", Danny Glicker "Saturday Night"
Commentary - Paul Tazewell's beautiful costumes were eye-popping, integral to the story and the character development, and brought a new level of creativity to the craft. 

Best Film Editing
Winner - Marco Costa "Challengers"
Runners Up - Nick Emerson "Conclave", Sean Baker "Anora", Hansjörg Weißbrich "September 5"
Commentary - How the hell did Challengers not get nominated in this category? The fierce and brilliant work of Marco Costa helped build the astonishing tension and build up to its mystic climax. Magnificent work. 

Best Makeup and Hairstyling
Winner - Stéphanie Guillon, Frédérique Arguello, Pierre-Olivier Persin "The Substance"
Runners Up - Frances Hannon, Sarah Nuth, Laura Blount "Wicked", Mike Marino, Sarah Graalman, Aaron Saucier "A Different Man", Traci Loader, Suzanne Stokes-Munton, David White "Nosferatu"
Commentary - Duh. The Substance has the most Makeup, but it also has the most impactful makeup, truly terrifying audiences and playing up its campy vibe. 

Best Original Score
Winner - Trent Reznor and Atticus Ross "Challengers" 
Runners Up - Daniel Blumberg "The Brutalist", Hans Zimmer "Dune: Part Two",John Powell "Wicked"
Commentary - Another one that I cannot understand how it missed being nominated by the Academy. Challengers really was elevated by excellent technical work, and its brilliant score by Reznor and Ross, along with its editing, elevated the story and brought us into the emotions of the characters. Another knockout from Oscar-winning legends. 

Best Original Song 
Winner - The Wild Robot - “Kiss the Sky” - Delacey, Jordan Johnson, Stefan Johnson, Maren Morris, Michael Pollack & Ali Tamposi
Runners Up - Challengers - “Compress/Regress” - Trent Reznor, Atticus Ross & Luca Guadagnino, The Last Showgirl - "Beautiful That Way" - Miley Cyrus, Lykke Li and Andrew Wyatt, Sing Sing - “Like a Bird” - Abraham Alexander, Brandon Marcel & Adrian Quesada
Commentary - Not the best year for this category, but Kiss the Sky was an emotional and wonderful tune that perfectly fit with the vibe of The Wild Robot. 

Best Production Design
Winner - Nathan Crowley, Ben Collins, David Lazan and Lee Sandales "Wicked"
Runners Up - Judy Becker and Patricia Cuccia "The Brutalist", Suzie Davies, Roberta Federico, and Cynthia Sleiter "Conclave", Craig Lathrop and Beatrice Brentnerova "Nosferatu", Jess Gonchor, Drew Monahan, Claudia Bonfe, Adam Rettino "Saturday Night"
Commentary - The beautiful blend of real sets and visual worlds created a eye-popping production design that helped Wicked achieve it theatrical visual treat that was amazing. 

Best Sound
Winner - Richard King, David Whitehead, Ron Bartlett, Doug Hemphill, Gareth John "Dune: Part II"
Runner Up - Craig Berkley, Paul Carter, Michele Gualdrini "Challengers", John Marquis and Nancy Nugent Title "Wicked", Brian Chumney, Leff Lefferts, Rick Hromadka, Randy Thom, and Gary A. Rizzo "The Wild Robot"
Commentary - Part of the reason Dune: Part II feels so immersive is the remarkable work of the sound designers and editors. Dune encompasses you as you watch it and it is a feast for the eyes and the ears. 

Best Visual Effects
Winner - Paul Lambert, Stephen James, Rhys Salcombe, Gerd Nefzer "Dune: Part Two"
Runners Up - Erik Winquist, Stephen Unterfranz, Paul Story, Rodney Burke "Kingdom of the Planet of the Apes" and Pablo Helman, Jonathan Fawkner, Paul Corbould, David Shirk "Wicked"
Commentary - Dune: Part II's incredible visual effects continued to provide the visual pastiche that Villeneuve and his team utilize to bring dramatic depths and eye-popping spectacle to this series. 

Top 20 Films
1. (TIE) Anora and Wicked
2. Sing Sing
3. Challengers
4. The Wild Robot
5. Conclave
6. Nickel Boys
7. Soundtrack to a Coup d'Etat
8. My Old Ass
9. The Substance
10. Dune: Part II
11. The Brutalist
12. Thelma
13. Saturday Night
14. Will & Harper
15. Flow
16. Furiosa: A Mad Max Saga
17. The Fall Guy
18. No Other Land
19. Sugarcane
20. Nosferatu

The Oscar Narrative: Final Winner Predictions - Final List

Best Picture
Anora

Best Director
Sean Baker "Anora"

Best Actor
Adrien Brody "The Brutalist"

Best Actress
Mikey Madison "Anora"

Best Supporting Actor
Kieran Culkin "A Real Pain"

Best Supporting Actress
Zoe Saldana "Emilia Perez"

Best Adapted Screenplay
Peter Straughn "Conclave"

Best Original Screenplay
Sean Baker "Anora"

Best Animated Feature
The Wild Robot

Best Documentary Feature
Porcelain War

Best International Feature
I'm Still Here (Brazil)

Best Cinematography
The Brutalist

Best Costume Design
Wicked

Best Film Editing
Conclave

Best Makeup and Hairstyling
The Substance

Best Original Score
The Brutalist

Best Original Song
Emilia Perez - El Mal

Best Production Design
Wicked

Best Sound
Dune: Part II

Best Visual Effects
Dune: Part II

Best Animated Short
Wander to Wonder

Best Documentary Short
I Am Ready, Warden

Best Live Action Short
The Man Who Could Not Remain Silent

45th Golden Raspberry "Razzie" Award "Winners"

Worst Picture 
Madame Web: A comic-book-based movie originally released a year ago that spent the rest of 2024 being touted everywhere as “a serious Razzie contender” 

Worst Actor 
Jerry Seinfeld / Unfrosted 

Worst Actress 
Dakota Johnson / Madame Web

Worst Supporting Actor 
Jon Voight / Megalopolis, Reagan, Shadow Land & Strangers

Worst Supporting Actress 
Amy Schumer / Unfrosted 

Worst Director 
Francis Ford Coppola / Megalopolis 

Worst Screen Combo 
Joaquin Phoenix & Lady Gaga / Joker: Folie à Deux

Worst Prequel, Remake, Rip-Off or Sequel
Joker: Folie à Deux 

Worst Screenplay
Madame Web

72nd Motion Picture Sound Editors (MPSE) Award Winners

Outstanding Achievement in Sound Editing – Broadcast Animation
Secret Level: "Warhammer 40,000: They Shall Know No Fear"
 
Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
Shōgun: "Ladies of the Willow World"

Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
Ripley: “III Sommerso"

Outstanding Achievement in Sound Editing – Broadcast Short Form 
Earthsounds: “Australian Forests”

Outstanding Achievement in Sound Editing – Feature Animation
The Wild Robot

Outstanding Achievement in Sound Editing – Feature Documentary
The Blue Angels

Outstanding Achievement in Sound Editing – Feature International
Emilia Pérez

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
Saturday Night

Outstanding Achievement in Sound Editing – Feature Effects / Foley
Dune: Part Two

Outstanding Achievement in Sound Editing – Non-Theatrical Animation
Arcane: "The Dirt Under Your Nails"

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
Apollo 13: Survival

Outstanding Achievement in Sound Editing – Non-theatrical Feature
Rebel Moon - Part Two: The Scargiver

Outstanding Achievement in Music Editing – Broadcast Long Form
The Penguin: “Cent’Anni" 

Outstanding Achievement in Music Editing – Broadcast Short Form
Only Murders in the Building: "My Best Friend’s Wedding"

Outstanding Achievement in Music Editing – Documentary
Music by John Williams

Outstanding Achievement in Music Editing – Feature Motion Picture
Wicked

Outstanding Achievement in Sound Editing – Game Dialogue / ADR
Call of Duty: Black Ops 6

Outstanding Achievement in Music Editing – Game Music
Star Wars Outlaws

Outstanding Achievement in Sound Editing – Game Effects / Foley
Call of Duty: Black Ops 6

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
Songbirds     
Savannah College of Art and Design