National Society of Film Critics Awards

BEST PICTURE

“One Battle After Another” (57 points)

Runners-up:

“Sinners” (29 points)

“The Secret Agent” (27 points)

BEST DIRECTOR

Paul Thomas Anderson, “One Battle After Another” (54 points)

Runners-up:

Jafar Panahi, “It Was Just an Accident” (48 points)

Richard Linklater, “Blue Moon” and “Nouvelle Vague” (39 points)

BEST ACTRESS

Kathleen Chalfant, “Familiar Touch” (45 points)

Runners-up:

Rose Byrne, “If I Had Legs I’d Kick You” (39 points)

Renate Reinsve, “Sentimental Value” (37 points)

BEST SUPPORTING ACTRESS

Teyana Taylor, “One Battle After Another” (56 points)

Runners-up:

Inga Ibsdotter Lilleaas, “Sentimental Value” (47 points)

Wunmi Mosaku, “Sinners” (41 points)

BEST ACTOR

Ethan Hawke, “Blue Moon” (57 points)

Runners-up:

Wagner Moura, “The Secret Agent” (43 points)

Michael B. Jordan, “Sinners” (36 points)

BEST SUPPORTING ACTOR

Benicio del Toro, “One Battle After Another” (54 points)

Runners-up:

Delroy Lindo, Sinners” (37 points)

Stellan Skarsgård, “Sentimental Value” (30 points)

BEST SCREENPLAY

Jafar Panahi, “It Was Just an Accident” (53 points)

Runners-up:

Robert Kaplow, “Blue Moon” (50 points)

Kleber Mendonça Filho, “The Secret Agent” (40 points)

BEST FILM NOT IN THE ENGLISH LANGUAGE

“The Secret Agent” (58 points)

Runners-up:

“It Was Just an Accident” (57 points)

“Sentimental Value” (38 points)

BEST NONFICTION FILM

“My Undesirable Friends: Part I — Last Air in Moscow” (56 points)

Runners-up:

“The Perfect Neighbor” (22 points)

“Orwell: 2+2=5” (18 points)

BEST CINEMATOGRAPHY

Autumn Durald Arkapaw, “Sinners” (50 points)

Runners-up:

Adolpho Veloso, “Train Dreams” (36 points)

Michael Bauman, “One Battle After Another” (29 points)

BEST EXPERIMENTAL FILM

“Morning Circle” (Basma al-Sharif)

SPECIAL AWARD FOR A FILM AWAITING U.S. DISTRIBUTION

“Landmarks” (Lucrecia Martel)

FILM HERITAGE AWARDS:

— Cinema Tropical, for its tireless efforts to distribute, program and promote Latin American cinema in the U.S.

— The Film Desk, for releasing key movies from all over the world, in 35mm prints and on home video, and publishing books that have enriched the public’s knowledge of cinema.

— Ken and Flo Jacobs, an irreplaceable, gravitational center of the American avant-garde, with a shared artistic sensibility that helped define experimental cinema.