BEST PICTURE
“Nickel Boys” (47 points)
Runners-up: “All We Imagine as Light” and “Anora” (34 points)
BEST DIRECTOR
Payal Kapadia, “All We Imagine as Light” (49 points)
Runners-up: RaMell Ross, “Nickel Boys” (42 points) and Sean Baker, “Anora” (33 points)
BEST ACTRESS
Marianne Jean-Baptiste, “Hard Truths” (79 points)
Runners-up: Mikey Madison, “Anora” (35 points) and Ilinca Manolache, “Do Not Expect Too Much From the End of the World” (32 points)
BEST SUPPORTING ACTRESS
Michele Austin, “Hard Truths” (55 points)
Runners-up: Aunjanue Ellis-Taylor, “Nickel Boys,” and Natasha Lyonne, “His Three Daughters” (39 points)
BEST ACTOR
Colman Domingo, “Sing Sing” (60 points)
Runners-up: Adrien Brody, “The Brutalist” (51 points) and Ralph Fiennes, “Conclave” (45 points)
BEST SUPPORTING ACTOR
Kieran Culkin, “A Real Pain” (52 points)
Runners-up: Guy Pearce, “The Brutalist” (50 points) and Edward Norton, “A Complete Unknown,” and Adam Pearson, “A Different Man” (41 points)
BEST SCREENPLAY
Jesse Eisenberg, “A Real Pain” (47 points)
Runners-up: and Radu Jude, “Do Not Expect Too Much From the End of the World” (46 points) and Sean Baker, “Anora” (45 points)
BEST FILM NOT IN THE ENGLISH LANGUAGE
“All We Imagine as Light” (49 points)
Runners-up: “Do Not Expect Too Much From the End of the World” (41 points) and “The Seed of the Sacred Fig” (28 points)
BEST NONFICTION FILM
“No Other Land” (70 points)
Runners-up: “Dahomey” (51 points) and “Soundtrack to a Coup d’Etat” (24 points)
BEST CINEMATOGRAPHY
Jomo Fray, “Nickel Boys” (80 points)
Runners-up: Lol Crawley, “The Brutalist” (38 points) and Jarin Blaschke, “Nosferatu” (21 points)
BEST EXPERIMENTAL FILM
“The Ballad of Suzanne Césaire”
SPECIAL CITATION FOR A FILM AWAITING U.S. DISTRIBUTION
“No Other Land”
FILM HERITAGE AWARDS:
— Scott Eyman, for his outstanding books on film artists and epochal shifts in moviemaking, most recently with “Charlie Chaplin vs. America: When Art, Sex, and Politics Collided,” a revelatory study of the nexus of American politics and American pop culture.
— IndieCollect, which, since its founding in 2010 by Sandra Schulberg, has met the challenge of preserving independent films with a rare sense of artistic responsibility.
— To Save and Project: The MoMA International Festival of Film Preservation, for more than two decades of superb restorations and diverse programming from all over the world, in collaboration with archives, foundations, studios and other organizations.
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