FILM SCORE OF THE YEAR
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
FILM COMPOSER OF THE YEAR
DANIEL PEMBERTON
BREAKTHROUGH COMPOSER OF THE YEAR
THOMAS CLAY
BEST ORIGINAL SCORE FOR A DRAMA FILM
FUKUSHIMA 50, music by Tarō Iwashiro
BEST ORIGINAL SCORE FOR A COMEDY FILM
THE PERSONAL HISTORY OF DAVID COPPERFIELD, music by Christopher Willis
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
THE CALL OF THE WILD, music by John Powell
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
WONDER WOMAN 1984, music by Hans Zimmer
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
WOLFWALKERS, music by Bruno Coulais
BEST ORIGINAL SCORE FOR A DOCUMENTARY
DAVID ATTENBOROUGH: A LIFE ON OUR PLANET, music by Steven Price
BEST ORIGINAL SCORE FOR TELEVISION
THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
MEDAL OF HONOR: ABOVE AND BEYOND, music by Michael Giacchino and Nami Melumad
BEST NEW ARCHIVAL RELEASE – RE-RELEASE OR RE-RECORDING
KING OF KINGS, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch, Gareth Bevan, and James Fitzpatrick (Tadlow Music)
BEST NEW ARCHIVAL RELEASE – COMPILATION
JOHN WILLIAMS IN VIENNA, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)
FILM MUSIC RECORD LABEL OF THE YEAR
QUARTET RECORDS, José M. Benitez
FILM MUSIC COMPOSITION OF THE YEAR
“Main Title” from THE QUEEN’S GAMBIT, music by Carlos Rafael Rivera
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